christiane holzheid

MFA Candidate / Media Design / Art Center College of Design

m2
 
communication design 2
super studio
design dialogues
type slam
narrative structures
    the killers, by ernest hemingway
    the door, by e.b. white
 
contact
 
instructor: John Brumfield
 
Telling a narrative, finding a visual rhythm. You have very complex or even controversial information; what do you integrate, which information do you want to share as a producer? In order to engage the audience / keep them engaged - you need to speak to the heart, however you can't emotional overkill or manipulate the audience with emotions... these are just a view examples of issues we talked about during this class. We looked at different ways a narrative can be told, comics, graphic novels, photos essays, film, theater, documentary, illustration, ... most importantly paying attention and "what is it that you need to know to actually know something".