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projects
project 1
Using only images (preferably those you at least in
part generate yourself),
design something (a page, a poster, a booklet, a movie, a web experience--
any form determined to be within the realm of visual communication) that
renders an ordinary thing extraordinary. Through visual form only, no
text,
no sound, no voice over.
attempt 1
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2
project 2
Employ text, typography, image, composition, etc.
within an 11" x 17" format to communicate
HOUSE from four different perspectives:
{A} representatively
{B} sympathetically
{C} ambiguously
{D} arbitrarily
attempts 1 &
2
project 3
Find a 500-1000 word piece of hard news from an online
newspaper (no commentaries,
puff pieces, or reviews.) This article's headline, dateline, and entire
text is your material.
With this text you will design a response (i.e. a critical or sympathetic
viewpoint) using typographic form as your voice: typeface choice, scale,
structure, composition, hierarchy, format. etc. No images, no added text.
attempts 1 & 2
project 4
Dude. Design and present a 24" x 36" poster
using whatever content you deem viable
to address what is cool. (Stoopid fresh wicked phat super awesome weepified
cool.
Not to be confused with trendy.)
posters
final project
Building from Project I, II, III, or IV, explore further
the principles that were introduced. Develop (design) something that expands
these basic ideas into a deeper investigation,
based first upon your interests, and secondly upon your skills (I recommend
using this
as an opportunity to improve weaker skills.)
tender passions video
design methods
| interactive
methods | super
studio |
critical methods
| history
of cinema |
design
history
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