People Knowing, 2010
In collaboration with Bora Shin/ view with the HD button on!
For this project, the assignment was to investigate both an electronic and a physical Non-place and find out hidden truths and realities beyond the reading.
In an essay and book of the same title, Non-places: Introduction to an Anthropology of Supermodernity(1995), Marc Auge coined the phrase "non-place" to refer to a place of transience that doesn't hold enough significance to be regarded as "places." Examples of a non-place would be a motorway, a hotel room, an airport or a supermarket. [Wikipedia]
Fitting rooms are provided in a semi-public circumstance to enable people to try or change clothes in privacy. The rooms are compartmentalized so that people can try on clothes to determine fit before making a purchase. By investigating the type of garments left behind in the fitting room, we wanted to identify personality, personal style and taste of a person who was in the room.
Bora and I created a character who regularly visits fitting rooms and checks out other peoples' choices of clothes. We were able to analyze eight types of identity from different fitting rooms. While I was acting as a character, I experienced the empathy that people would feel when they try their clothes on.
Fitting room works as a creative space, a place for expressions that can only exist in a private space distinguished from the street. This became a self-reflective journey leading to an investigation. Our own narrative from the study became data just as much as the size of the clothes.
In an essay and book of the same title, Non-places: Introduction to an Anthropology of Supermodernity(1995), Marc Auge coined the phrase "non-place" to refer to a place of transience that doesn't hold enough significance to be regarded as "places." Examples of a non-place would be a motorway, a hotel room, an airport or a supermarket. [Wikipedia]
Fitting rooms are provided in a semi-public circumstance to enable people to try or change clothes in privacy. The rooms are compartmentalized so that people can try on clothes to determine fit before making a purchase. By investigating the type of garments left behind in the fitting room, we wanted to identify personality, personal style and taste of a person who was in the room.
Bora and I created a character who regularly visits fitting rooms and checks out other peoples' choices of clothes. We were able to analyze eight types of identity from different fitting rooms. While I was acting as a character, I experienced the empathy that people would feel when they try their clothes on.
Fitting room works as a creative space, a place for expressions that can only exist in a private space distinguished from the street. This became a self-reflective journey leading to an investigation. Our own narrative from the study became data just as much as the size of the clothes.